What is MAB-BLOG

I use this section to share a variety of information related to my experiences, industry thoughts, songwriting, performing, etc. A melting pot of information. I hope you find this enjoyable as well as entertaining and informative.
 

...you don't choose music, music chooses you...


MAB’S MUSINGS Oct. 7,2017

“I’M HEADED TO NASHVILLE!!!!!”

We see it all the time. Someone posts on Facebook or Social media the big news that they are “HEADED TO NASHVILLE” and very excited for their trip. And of course everyone wishes them luck, “Always Knew you’d make it” messages…” pretty much the same all the time. And it IS GREAT! An opportunity to see a VIBRANT city, on the move, tons of exciting things happening, and a lot of people just like themselves, all sharing music, performing, being a part of a CULTURAL MOVEMENT!!!
 

For those of us “OLD TIMERS” we say “WELCOME HOME!” We are glad to have you. Tons of people visit here each week, many move and settle in. Of course, the down side is that MANY ALSO MOVE HOME, having lasted about 6 months to two years. So while you need to be optimistic and excited, you also need to inject some REALITY into those big dreams and focus on what you can get accomplished and not get too caught up in what probably won’t happen.

WHAT CAN HAPPEN:
THERE ARE BASICALLY THREE THINGS YOU WANT TO GET
ACCOMPLISHED.

NETWORKING.
PERFORMING.

CO-WRITING.

What is probably NOT going to happen is you waft into the Bluebird, they have a last minute cancellation, and pull you onstage, to be heard by a record president who just happened to be there to see the person who didn’t show up, and they rush to you with a
RECORD DEAL IN HAND!!! I know that happens all the time on

NASHVILLE” and other Hollywood productions, but it doesn’t
exactly happen in real life. You are more than likely going to stand in line, wait your turn, participate in an open mic after most people are gone, PLAYING TO TABLES AND CHAIRS. (Yeah I already wrote that one).

There are writer’s nights all over town and you HAVE TO ATTEND THEM AND WAIT YOUR TURN! Just part of “pledging the fraternity”.

BUT: You can make the best of that time. There will be dozens of people performing. Watch THEM! See what they are doing, what makes the audience TUNE INTO the songs and performances, and what makes the audience TUNE OUT!

A majority of performers are very inexperienced. Most songs sound just like other songs. A lot are steeped in
Negativity, anger, bitterness, despair, preachy, self-absorbed…. DON’T WE GET ENOUGH OF THAT ENDLESSLY ON THE NEWS AND SOCIAL MEDIA?

Many are things you CAN’T UNDERSTAND A WORD OF WHAT THEY ARE SAYING OR UNDERSTAND THE MEANING OF THEIR SONGS.
If you need a decoder ring to figure out what they are about NEED TO RE-WRITE THE SONG!
Many performances are substandard, with no flow or dynamics. Many are BALLADS, which can slow an entire night down.
So THINK about what YOU WANT TO DO. Do song and artist RESEARCH. Make your moment in the spotlight as appealing as possible.

PERFORMING
Got ONE CHANCE TO MAKE A BAD FIRST IMPRESSION.
Make sure you DON’T WASTE YOURS.
Choose your songs wisely. If you do the introspective “all about me, whining, depressing, bitter songs” you are going to fall into where 98% of other people who are ignored. Doesn’t mean you have to be all “HAPPY!!!” Like Pharell Williams (although that one did pretty good!), but if you can NOT BE SO DEBBIE DOWNER, it will MAYBE make people put their cell phones down for a few minutes.
Make sure you are IN TUNE! Be ready to go on BEFORE THEY HAVE TO CALL YOU! Know where your place in the line is.
Make sure the HOST KNOWS YOU, and you are ACCESSIBLE to go on. There just MIGHT be a cancellation, and being aware and ready is EVERYTHING!
Perform WITH DYNAMICS. ENNUNCIATE. LOOK AT YOUR AUDIENCE. ENGAGE THEM! That is what you are supposed to be doing but most people don’t. Don’t just CLOSE YOUR EYES and sing to yourself. Those that do, only end up SINGING TO THEMSELVES!


NETWORKING:
“Networking is simply MAKING FRIENDS.” If you see someone who impresses you, GO UP AND TELL THEM. If they have family members, talk to them.
(BUT DON’T DO IT AT THE TABLE WHERE YOU ARE DISTURBING THE OTHER PERFORMERS. GO TO THE BACK OR OUTSIDE!)
Learn about their journey’s. Share information, business cards.
IMPORTANT NOTICE: DON’T GHERM!!! (Giving out CD’s BEFORE they are asked for.)
This is mainly for established or hit writers, producers, publishers or anyone in the industry. That is a VERY BIG NO, NO! (see my web site for definition.)

But for most newer people, or out of towners, it is fairly common to trade CD’s. If you like something ASK FOR IT, OR OFFER TO PAY FOR IT!
(Hey, what a novel concept!!! Paying for someone’s music you like!)

CO-WRITING:
This more than likely WON’T happen over just a couple of days in Twang Town. It is something that needs to be built up to. But starting those relationships, seeing when people are open, long distance or SKYPE writing, all are viable opportunities. If you MAKE FRIENDS while you can, you can EXTEND those relationships later. But there are opportunities sometimes with others that are in similar circumstances, in town for a few days, and might have some open times, TRY TO MAKE USE OF IT. Most IN TOWNERS or established writers are going to take longer to build up to. So expect that.

DON’T SCARE PEOPLE AWAY. Just keep it light, friendly, and build for your future. Usually every trip to Nashville SETS UP FOR THE NEXT TRIP!!!!
 

KEEP EXPECTATIONS MANAGABLE.
Expect to stand in line, expect to meet a lot of people like yourself. Expect a lot of things NOT TO WORK OUT. This is the musical version of SPEED DATING. You will see a lot of people, but very few will actually pan out. With every writer you will meet THREE other writers. And you will hear of other shows, venues, social events, guitar pulls, etc.

BE PATIENT. It all takes time. This is a very slow town. We call it a “TEN YEAR TOWN” because it takes a while to get known. But the more you put out there, the more you get back. Support others and they’ll support you. We’re always glad to have you. And you can go home with a great experience. Just realize that you are one of many, and everyone wants their own “moment in the sun.”
Make sure you don’t waste yours!

MAB

www.marcalanbarnette.com

 



 


"I'VE GOT SONGS , WHAT NEXT" 

One of the things that pretty much consistently I get is "I've been writing songs, now what do I do with them?" Many people "think" they are writing songs, only to find out they have only poetry (lyrics only) or have songs that totally don't fit a format, don't have any allies within the industry, are too long, negative, personal statements, out of date or time, or just plain not good enough to go forward. Most people that have only written a few songs don't know this, and even though their families,Read more

ROUND AND ROUND AND ROUND (Rules for writers rounds) 

"MAB'S MUSINGS" 

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Over the past 20 years or so, we have seen more and more of the "Nashville style" songwriter rounds when it comes to songwriter shows. This typically is three-four writer/artists on stage at the same time, each playing one song at a time, going "AROUND" until 3, 4, or five "rounds" have been completed. Started at the BLUEBIRD in the 90's, it was a way to showcase multiple artists, have them do harmonies, lend…

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ONE CHANCE TO MAKE A BAD FIRST IMPRESSION 

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In the current era of music, one of the most common events for performer and writer wanna be’s are OPEN STAGES, OPEN MICS, SONGWRITER’S NIGHTS OR SHOWCASES, as well as the dreaded AUDITION process, for everything from reality shows, contests, and the first and continuous steps of a performing

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SOMETIMES YOU JUST GOTTA DO IT!!! 

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Question:” Do you know the difference between a six week old puppy and a songwriter/artist/anyone trying to be involved in this business?” 
Answer: “Eventually the puppy stops whining.” 
  
WHINING. That is what we DO! (Ought to be a Geico commercial.). We make more excuses than Trump has detractors. We make a million reasons we can’t do something. Writers: “ I can’t finish songs…I don’t want to write QUANTITY, just QUALITY!”, I…

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Where Have All the Cuts Gone 

WHERE HAVE ALL THE CUTS GONE? 
                        By: MAB 
A common question among songwriters in today’s marketplace is “WHERE HAVE ALL THE CUTS GONE” (getting songs recorded by major and independent artists.) They run into brick walls everywhere they turn. “NO UNSOLICITED MATERIAL” with every publisher, and song plugger. “NO! NO, NO!’ being told to them when they approach artists, producers, industry people when they try to show up with their CD or draw attention to their web site or download. 
  
First

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Santa, Can I have a Cut for Christmas 

                                                SANTA, CAN I HAVE A CUT FOR CHRISTMAS by MAB 
  
Every year, kind of like clockwork, people go through their “NEW YEAR’S RESOLUTIONS” and of course with songwriters, it always includes, “THIS IS THE YEAR TO GET MY MAJOR LABEL CUT!” I understand all the “Norman Vincent Pealeism’s” of “The power of Positive thinking, and all, and do understand the propensity to “If I put it OUT THERE in the UNIVERSE it’ll happen. Yeah, I know that one well. Every year when I used

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CELEBRATE EACH VICTORY 

CELEBRATE EACH VICTORY! By MAB 

Over the past two days I have written on the subject of the difficulty of getting major cuts in this day and age. It is hard even for "inside" writers and publishers to get them and ESPECIALLY hard for independent, non-connected, OUTSIDE writers. There are a LOT of steps, aside from writing the songs themselves, getting them recorded, getting inside people to pay attention, being patient, building and maintaining relationships, all have to be done and have to be done

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THANKS DAD 
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On Father’s Day, 2016, I’d like to send a “shout out” to all those Fathers, step Fathers, Foster Fathers, Grandfathers, Uncles, or just “Father Figures” that play such a huge role in people who do and try to do music. 
  
I was lucky. My Dad, Grady Ross Barnette, (or “GRB”) as we called him, was incredibly supportive in my formative, and even current career. He had been a singer himself in my early years, the late 50’s and early 60’s, as a…

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REMOVING THE "DUHS" 

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 In the modern age of music, it can get very complicated. Trying to stay abreast of constantly shifting technology, dealing with enormous competition, trying to get paid anything in the era of “free music”, presents enormous challenges. It can make the head swim. But whether you are trying to create something for your own friends and family, on your social media, or just to play in a living room, trying to

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THE AGE OF ENTITLEMENT 

THE AGE OF ENTITLEMENT
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Something I have always noticed about new writers and artists as they make their pilgrimages to Twang Town is that they ALL FEEL LIKE THEY HAVE BEEN DRIVEN TO DO THIS! And there is validity in that. Anyone who indulges in the creative arts, and probably anything, has to feel “compelled” to do it. Songwriting and music are among the “highest callings” according to most who do it.  
   
But over the past 5-8 years, there has been an even bigger wrinkle in that many feel…

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